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Referenzen - Optogate

Diese Referenzliste ist mittlerweile endlos. Die Musiker und Techniker hatten diese Geräte über die Jahre getestet und uns ihre positiven Erfahrungen mitgeteilt. Wir würden uns freuen, Ihren Namen auch bald auf dieser Liste zu sehen.

Techniker

Randy Meullier
Jörg Siemer
Terry Nelson
Mark Tirabassi
Torben Ibs
Kevin Marshall
Andy Craig
Eddie Mapp
Jochen Maeding

Willems Raf (The Reverent)

Firmen

Chrystal Sound (Germany)
Sound Service Jörg Siemer (Germany)
Norddeutscher Rundfunk (Germany)
Hands on Sound Co. (California)
Janus Media Support (Netherlands)
Juberts Sound and Light (Philippines)
Western Audio Engineering (New Zealand)
KS Audio (Sweden)


Künstler

Doobie Brothers
Alice Cooper
Guns N´ Roses
Red Hot Chilli Peppers
Frank Itt
Matchbox Twenty
Rasmus
Neil Young
Meatloaf
Lake
Kettcar
Zakk
Torfrock
City-Sound
El Guapo Stunt Team, Belgien


"Testbericht" - vom Front of House Magazin USA, April 2005

Mic-Mute Automatic Microphone Switch by Jamie Rio

Here´s the scenario: you´ve got a loud guitar player who also sings backups on your stage. When he is in front of his mic, your mix is perfect. As soon as he steps away from his mic, you pick up a lot of extra guitar in your mix and it all turns to crap. Or you have a drummer who sings, and his always on, hot vocal mic is making the drum mix sound like snot. The thought of muting these mics at the appropriate time is daunting´especially if you have never mixed the band before and you are shooting from the hip as it is.

Well, here´s the solution. It´s a small device (about the size of a cigarette lighter) that plugs in between your mic and mic cable. It incorporates an electronic eye that controls an automatic mute switch. When the eye sees your smiling face the switch turns on. When it doesn´t, the switch turns off. It´s simple and amazingly effective. The distance that the eye sees is adjustable and the on/off effect is noiseless.

I used it with a loud guitar player and with a drummer. With the drummer it was great, as he never really varies the distance from his pie-hole to the mic. With minimal adjustment for distance, I got what I needed: vocals when he was singing and dead air when he wasn´t. It worked okay with the guitarist, but he has a tendency to work the mic pulling back when he is really pushing for a high note. This generally works well and I don´t have to overly compress the vocal because he actually has mic technique. But the Mic-Mute does not take technique into account and the mute kicked in a few times when he pulled back. A little adjustment of the distance control should have helped, but I wasn´t getting it.

Bottom line is that for singers who are right up on the mic all the time, the Mic-Mute works wonders for cleaning up the mix. It also works on phantom power, so don´t worry about batteries. This is a great little tool. Everybody should have a couple in their toolbox. Manufactured in Germany.

  • What it is: Small individual mic mute
  • Who it´s for: Sound guys and bands who want more control over their mixes
  • Pros: It turns a mic on and off when you want
  • Cons: Doesn´t always work with mic technique. Either on or off (no subtleties)

  • What Optogate Users Say...

    ...Es funktioniert großartig. Ich werde versuchen, alle meine Bands zu überzeugen daß sie diese Geräte benutzen. Tausend Dank.

    Tony Sabato, USA - Monitor Engineer for Live, Blondie, Hanson, Ozzfest, ZZ-Top, Joan Osborne, Staind

    ....Im Sommer arbeitete ich mit Evanescence auf ihrer Europa Tour. Deren Tontechniker Eddie Map und ich benutzten das PB-05 und wir mögen es.

    Tim Pfeffer, Pittsburgh, Sound Engineer for Richard Marx, Vertical Horizon

    ...In den letzten paar Wochen hatten wir verschiedene Festivals und wir arbeiteten fast immer mit Optogates und es war ein Erfolg! Sogar die Fremdtechniker, die diese Geräte nicht kannten, mochten sie und waren sehr zufrieden damit. Wir mögen sie auch sehr. Manchmal erfordert es etwas Zeit für die Entfernungseinstellung, aber wenn das einmal gemacht wurde, funktionieren sie hervorragend.

    Maarten Deboes, Belgium

    Ich benutze die Optogates jetzt schon eine ganze Weile, in einer - für In Ear Monitoring - modifizierten Version und habe mit den verschiedensten Bands von Pop, Rock bis Metal hervoragende Erfahrungen gemacht. Selbst Musiker die gerne einmal ihren Mikrofonständer umwerfen, wo dann das Mikro inklusive Optogate natürlich mit fällt, können dem Gerät nichts anhaben.
    Mein Fazit: Das Optogate hält den Input- und somit den gesamt Sound sauber, der Infrarot Sensor funkioniert hervoragend und es ist extrem robust und Tour tauglich, von Club- bis zu Stadion Shows.

    Andy Ebert, USA / Germany, Monitor Engineer for Red Hot Chili Peppers, Maroon 5, Guns N´Roses

    ...I just wanted to let you know how happy I am with the Optogate. The band has extreme stage volume and teh backline sits on the stage set shooting right into the vocal mics. Using the Optogates has cleaned up the mix considerably...

    Randy Meullier, Sound Engineer for Alice Cooper

    ...I just tried out the PB-05 this weekend at a show in Austin Texas with the Doobie Brothers and the consensus was that myself and Pat (one of the principials who used it) and Dave really liked it!

    Terry Nelson, Doobie Brothers Production Manager / Band Engineer

    ...I finally got my hands on a pair of your beauties (PB-05) and I´m addicted to them. They haven´t let me down and I´m sure they won´t.

    Willems Raf, FOH & Monitor engineer for El Guapo Stunt Team, Belgium

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